Japanese Pitch Accent: patterns, rules, and how to hear them
Japanese words carry a pitch pattern — a rise and fall across their mora that is as much a part of the word as its sounds. This guide explains the four standard Tokyo-dialect patterns, how they are written, and how to train your ear, with interactive examples drawn from JAccent's dictionary.
The four patterns
平板型
Heiban — flat. Starts low on the first mora, rises, and stays high with no drop, even onto the following particle.
中高型
Nakadaka — middle-high. Low start, a high stretch in the middle, then a drop before the end.
尾高型
Odaka — tail-high. Rises and stays high across the word, then drops on the following particle.
How the notation works
Each mora sits on a high or low line. A step up or down between two mora is the pitch change you hear. A vertical drop at the end of the last mora marks a downstep onto the following particle — that word is "accented" on its last mora.
Why it matters: minimal pairs
Same sounds, different pitch, different word:
- 箸 (chopsticks) / 橋 (bridge) / 端 (edge) — all read はし
- 雨 (rain) / 飴 (candy) — all read あめ
- 故障 (breakdown) / 胡椒 (pepper) — all read こしょう
Explore
Check any word's pattern: browse the dictionary ・ by kana.